The starting point tends to be investigatory, and the main engine is to collect and connect.
The process is negotiating between the intentional and the generative output, in physical and digital material alike. This often results in handmade and digital collage, three dimensional collage and spacial assemblages, analogue photography and photogrammetry landscape.
While exercising states of representation, the intentions are essentially poetic.
Caring about concept since 2011. A fan of flexible systems, crafty grids, tangible designs, a good word, content architecture and form that follows function. Via branding, print design (is not dead), UI/UX, motion, advertising and digital products.
the image moves faster than its thing than the image moves faster than its thing than the image moves faster than its thing than the image moves faster than its thing than the image moves faster than its thing than the image moves faster than its thing than the image moves faster than its thing than the image moves faster than its thing than the image
Image Thing Image, 2020—ongoing
material poetics
Image Thing Image, 2020—ongoing
Photogrammetry landscape
Image Thing Image, 2020—ongoing
Photogrammetry
Image Thing Image, 2020—ongoing
Open AI ‘paper pulp sculpture’
Image Thing Image, 2020—ongoing
Image Thing Image, 2020—ongoing
material poetics
Image Thing Image, 2020—ongoing
‘outro-intro’ series, 2021—ongoing
‘outro-intro’ series, 2021 — ongoing
Byblos, 2017 — available silk print
‘Les grottes — Les vases — Le cunt’ series, 2020
Orid, “Red Massif” single cover Flatland #1, 2020
Flora Yin-Wang, “The Sacrifice” 2021 Art work and design. Spacial collage
“20 år med Bergen senter for elektronisk kunst”
Book design, 2021
