Visual-centric practicing between visual art and design, based in Bergen, Norway.


Art Work︎︎︎



The starting point tends to be investigatory, and the main engine is to collect and connect.

The process is negotiating between the intentional and the generative output, in physical and digital material alike. This often results in handmade and digital collage, three dimensional collage and spacial assemblages, analogue photography and photogrammetry landscape.

While exercising states of representation, the intentions are essentially poetic.


Design Work︎︎︎


Caring about concept since 2011. A fan of flexible systems, crafty grids, tangible designs, a good word, content architecture and form that follows function. Via branding, print design (is not dead), UI/UX, motion, advertising and digital products.






Mark

the image moves faster than its thing than the image moves faster than its thing than the image moves faster than its thing than the image moves faster than its thing than the image moves faster than its thing than the image moves faster than its thing than the image moves faster than its thing than the image moves faster than its thing than the image

Image Thing Image, 2020—ongoing






material poetics

Image Thing Image, 2020—ongoing



Photogrammetry landscape

Image Thing Image, 2020—ongoing










Photogrammetry

Image Thing Image, 2020—ongoing









Open AI ‘paper pulp sculpture’

Image Thing Image, 2020—ongoing


Image Thing Image, 2020—ongoing












material poetics

Image Thing Image, 2020—ongoing















‘outro-intro’ series, 2021—ongoing













‘outro-intro’ series, 2021 — ongoing









Byblos, 2017 — available silk print










‘Les grottes — Les vases — Le cunt’ series, 2020













Orid, “Red Massif” single cover
Flatland #1, 2020
















Flora Yin-Wang, “The Sacrifice” 2021
Art work and design. Spacial collage








“20 år med Bergen senter for elektronisk kunst”
Book design, 2021







Untitled analog, 2017





Mark