Visual-centric practicing between art and design, based in Bergen, Norway. The starting point tends to be investigatory, and the main engine is to collect images and then connect. The process is negotiating between the intentional and the generative output, in physical and digital material alike. This often results in handmade and digital collage, three dimensional collage and spacial assemblages, analogue photography and photogrammetry landscape.

While exercising states of representation, the intentions are essentially poetic. 

Selected works 
2014—2021:

Four women, two men & a monster
Terra Nullius
Once in a Blue
up without an insistent casting away
Terra Incognita
The Mornings After
What will happen when everything becomes anything becomes everywhere becomes all things?





Mark

Terra Incognita

“Terra Incognita” is a conceptual fanzine, that borrows Aldous Huxley’s concept from “Doors of Perception” (1954) and “Heaven and Hell” (1956). A visual exploration through paper and digital collage, analogue photography and calligraphy.


“Like the earth of a hundred years ago, our mind still has its darkest Africas, its unmapped Borneos and Amazonian basins. (…) A man consists of what I may call an Old World of personal consciousness and, beyond a dividing sea, a series of New Worlds - the not too distant Virginias and Carolinas of the personal subconscious and the vegetative soul; the Far West of the collective unconscious, with its flare and symbols, its tribes of aboriginal archetypes; and, across another, vaster ocean, at the antipodes of everyday consciousness, the world of Visionary Experience.”

— HUXLEY, Aldous, "Doors of Perception" (1954),  "Heaven and Hell" (1956).

Selfpublished fanzine
Paper & digital collage / Paint

Published: Sept 2014,
Bergen, Norway.
47 + 12 pages

Analog photography;
Collage; Calligraphy.
Hand-stitched and signed.

Locations:
Parc de la Ciutadella, Barcelona, Spain;

Lokrum Island, Dubrovnik, Croatia;
Kupari, Croatia; Évora, Portugal;
and Norway



3 editions